120 Film - Other Similar 6 Cm Roll Films

Other Similar 6 Cm Roll Films

The 105 format was introduced by Kodak in 1898 for their first folding camera and was the original 6×9 cm format roll film. The 117 format was introduced by Kodak in 1900 for their first Brownie camera, the No.1 Brownie, 6×6 cm format. These formats used the same width film as 120 film, but with slightly different spools. The 105 spool has a much wider flange, similar to the 116 spool, while the 117 spool's flange is slightly narrower than the 120. The 105 and 620 spools also have much thinner flanges than the 117 and 120 spools (0.025" vs. 0.060"); as a result, an unmodified 120 spool will not fit a camera designed for 105 film, such as a No. 1 Folding Pocket Kodak, as the overall length between the outside of the flanges is too long to fit the width of the film chamber.

The 620 format was introduced by Kodak in 1931 as an intended alternative to 120. Although mostly used by Kodak cameras, it became very popular. The 620 format is essentially the same film on a thinner and narrower all-metal spool (the 120 spool core was made of wood at that time):

  • 105 2.509" width, 1.250" flange, 0.468" core
  • 117 2.470" width, 0.875" flange, 0.468" core
  • 120 2.466" width, 0.990" flange, 0.468" core
  • 620 2.468" width, 0.905" flange, 0.280" core

Hence the 620 is sometime referred as "small hole" 6×6 or 6×9 as opposed to 120 "large hole". The 620 format was discontinued by Kodak in 1995, but it is possible to rewind 120 film onto a 620 spool in the darkroom for use in 620 cameras. According to Kodak, the narrower metal spool allowed building smaller cameras. Nonetheless the 120 format cast-metal bodied Voigtländer Perkeo remains smaller than any 620 format camera.

Read more about this topic:  120 Film

Famous quotes containing the words similar, roll and/or films:

    Custom, then, is the great guide of human life. It is that principle alone, which renders our experience useful to us, and makes us expect, for the future, a similar train of events with those which have appeared in the past.
    David Hume (1711–1776)

    Let us have a good many maples and hickories and scarlet oaks, then, I say. Blaze away! Shall that dirty roll of bunting in the gun-house be all the colors a village can display? A village is not complete, unless it have these trees to mark the season in it. They are important, like the town clock. A village that has them not will not be found to work well. It has a screw loose, an essential part is wanting.
    Henry David Thoreau (1817–1862)

    Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
    Susan Sontag (b. 1933)