Style
Both the writing and artwork in 100 Bullets exemplifies the noir and pulp genres of popular modern fiction. It presents morally ambiguous stories with dark realism. Consistent with noir convention, most of the characters are deeply flawed. As is also quite common in such genres, 100 Bullets frequently portrays stylized and graphic violence.
100 Bullets is notable for creator/writer Brian Azzarello's realistic use of regional and local dialects/accents, as well as the frequent, sometimes dense use of slang and oblique, metaphorical language in his characters' dialogue.
While initially presented as an episodic series of self-contained storylines, 100 Bullets eventually becomes a sprawling crime saga that embraces a sense that everyone and everything is connected.
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Famous quotes containing the word style:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
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“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
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