Recording
The album was recorded at O'Henry Studios in Burbank, California, as well as at The Loft and Grandmaster Studios in Hollywood, California. It was mixed at Bay 7 in North Hollywood and mastered at Gateway Mastering Studios in Portland, Maine. The June 2006 issue of Guitar World (released April 11, 2006) featured an interview with guitarist Adam Jones discussing the new album. Jones explained that recording techniques for the album involved the use of a "pipe bomb microphone" (a guitar pickup mounted inside a brass cylinder), and a talk box guitar solo on the song "Jambi". The "pipe bomb microphone" and other studio related information was further detailed in the June 1, 2006 issue of Mix. Drummer Danny Carey operated many of the sound effects on the interlude tracks on the album using electronic drums called Mandalas.
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MThe ACCUSING SPIRIT which flew up to heavens chancery with the oath, blushd as he gave it in;and the RECORDING ANGEL as he wrote it down, droppd a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (17131768)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
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“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (18171862)